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Knowledge of the Atlantes was stored in Magura cave in a trial to save and trasfer it to future generations?

юли 2, 2017

Only gallery of Magura cave contains paintings. It is the only dry gallery where water leaks on the walls only in the begining and in the end of the gallery but the rest is dry. This makes it possible for the paintings to remain for very long time without being damaged. Obviously, who created them, searched for the most appropriate conditions in order to pass them to as many future generations as possible. Al, some engineering work was done. One there was another entrance to the gallery which used to make it a corridor with two open ends thus allowing external air to flow through it. But this led to constant changes in temperature and humidity inside the gallery which would speed ud erosion. They blocked that entrance thus creating the perfect environment for a very long-term life of the paintings.

Who would do this? Obviously, a person who not only wanto to create any paintings, but a person who wanted to store and trasfer important information to future. The most important information possible is knowledge.

There are two direct clues who these people could be.


A painting depicts a man (a humanoid) next to a girafe. And the girafe is a very good symbol of hight. How tall should be this humanoid? As a girafe is normally tall 5.5 – 6 meters, the humonoid must be about 4 meters in hight. My mind automatically remebers of Atlantes who, consistetly whit what has been previously stated, are told to have possessed very advanced knowledge.

Another clue is a face created inside a totally normal Magura cave painting by adding only a few small lines to it:


I used the lines of the face to make a painting of it and this was what I got:


Obviously a humanoid but not really a modern human. I was very shocked when once I came upoc an illustration of what was believed to a recreation of faces of people who worked at Gobekli tepe:


In their research, someone has come a very similar shape of the faces following their own ways, different from mine.

Additional clues are found in the gallery of the paintings. Some of the paintings are convex of the walls’ surface, meaning they are much older then the rest which are plain. I compared the animls both in convex and plain paintings:


Animals paintings in red are convex and older, paintings in black are plain and newer. You can see that older paintings represent species like ostrich, cave bear, girafe and camel – all them real animals who used to live on the Balkans peninsula but very long time ago. In black we see a horse and deer – both modern animal species for the Balkans peninsula.

Thus I come to the conclusion that the paintings were created in two stages over a very long period of time. Additional analyzes show that, regardles of the very long time separating the two stages, all paintings are of the same style and meaning:

Another clue is found through comparisson of Magura cave paintings to typical cave paintings around the world:


This comparisson shows that types of paintings in Magura cave spread over a very long time span which is consistent whith the previously shown information. But, paintings around the world do not contain many types of paintings usen in the record inside the cave meaning that a more specific factor operated in the case of Magura.

There is a scene in the cave:


This scene allows for dating as the strip on the top may represent consequent periods. This is what I get after a number of thoughts I am not sharing here:


Many real facts match this scene and the dating of the strip. Read this article for more information.

What is interesting here is that the strip represents the whole life cycle of a mankind, preceeding modern humans. If indeed we are the fifth race on Earth, the paintings in Magura cave belong to the fourth race.

Once I heard of a hypothesis that a mankind lives for one precession cycle which lasts for 25 960 years. The duration of the history in the strip is exactly this long.


Another scene supplies information on the Solar-Lunar-Earth calendar (read more here). The calendar contains a very interesting feature – a spiral around the central figure which can be read both as the Sun and the Earth depending on the level of information we are reading. The spiral appears to be exactly the same with what modern astronomy has calculated to be the path of north pole’s movement along the star sky due to the precession of equinoxes:

16 precesia

All important points along the strip match real DNA events in europe. The last event took place some 14 600 years ago whan the bloodline of that previous mankind ended.


But this was not the ultimate end of the story as some of them managed to survive. What they did is discussed in the following part, which I took from a recent publication:

When and how did we become civilized? Was it an evolutionary process driven by internal forces or it was initiated and carried out by external factors?

What I want to show you is the complete map of the prehistoric paintings of Magura cave:


You can see that there are 1 031 pantings in a single gallery of the cave and many of the paintings have been organized into scenes which supply information on very important questions.

You can see pictures of the paintings in the Facebook page Magura cave paintings.

The scene I want to „decode“ here is located just to the right from the center of the top line:


They have called this scene The Hunting scene for obvious reasons – a group of people hunt some animals. This is the most easily digestible of all scenes in the cave, therefore it has become the most popular, because it is very easy to think and believe that any prehistoric or just cave paintings must be related to daily activities, including hunting. Thus the scene is always used as an illustration to publications and reports leaving the audience with the idea that Magura is all about primitive daily activities.

It would be way more impressive if they used another scene:


the scene of the solar calendar which is full of symbols none of them related to daily activities.

There is something else: there are 1 031 paintings in the gallery and only 10 of them participate in the „Hunting“ scene. This is just under 1% which is a too small base for general conclusions.


Even more, the total numbers of aminal paintings in the gallery is 13 which makes it obvious that Magura cave paintings do not concern everyday life and activities.

OK, if the paintings represented everyday life, they should be realistic. Let us check this.


Only two of the animals are realistic – the dog and the ostrich. Then, the four animals to the right side do not represent any real animal species. Thus the very paintings bust the idea for everiday life depiction as they do not represent real objects.

In order to „read“ the scene, we have to note that it has been created in two levels. Any time we see two levels in a scene, this represents the divine realm in the upper level and the human realm in the lower level.

Then we have to keep in mind that the shape of the figures makes them different and this is the way to transfer information about them. Thus we see three different types of people (human figures) presented in the scene.

These three figures are very schematic meaning that they are not so developed. These people have never been educated, they are in their natural state. We can call them primitive. The very distinguishable erections serve to express the idea that they are motivated and driven by their instincts.

Then we have a completely different type of people where the arms in a circular position around the head represent the enlightened consciousness and the double-triangular (hourglass-like) shape of the bodies represents the divine origin.

The triangle pointing downwards is the spirit striving for material expression in order to gain material and body experience. Therefore this triangle is a symbol of the woman as well as a symbol of The Goddess-Mother.

The triangle pointing upwards is the spirit striving to break free from shape and matter and to return to eternal life. This is a symbol of the man and of The God-Father.


In the upper level of the scene there is a very interesting sequence:


In Magura the direction of reading is from the right side to the left side. There are the two enlightened female figures in red (recognized by the „belts“ on their waists – the horizontal lines where the two triangles gather) attract primitive people and lead them to a teacher – the figure in blue. As this figure does not have a „belt“, it is male or it is a man in general.


And this is not a sexual scene as sexual scenes in Magura cave are always heterosexual:


The reason is because Magura paintings talk about the knowledge of creation and nothing is created (born) by homopolar interactions.

What happens after the interaction of these two figures 04is that previously primitive people start using tools:

And they have tamed the dog.

Primitive people have been tranformed into educated people. I will return to this shortly after.

Now I want to explain why primitive people are found in the upper level of the scene where divine activities take place. There are two ways to be divine. The first way is to be natural, primitive and to be driven by instincts, because instincts come from nature, i.e. from the divine origin. The other way is to be enlightened.

The only way to be far away from the divine origin is to be educated. But education is a necessary step towards enlightenment:


Here you see the thirteen steps of development of spirit and consciousness, leading to the final stage – the eternal life of the conscious spirit which has recognized itself as divine.

Thus we understand that it is totally necessary primitive people to be driven ahead to the state of educated people so they can go on along the sequence and this is accompanied by a temporary moving away from divinity in order to return to it consciously.

It is clear that primitive people can not make this step on their own because they can not recognize themselves apart from nature. External force and cause must be applied and this is what Magura states in this scene.

Nothing has been said about the origin of the enlightened people – they exist and educate but not a single word on who educated them.

Now it is the time to return to the educated people:

Look at them: they have tamed the dog and everyone of them has mastered a different skill, does a different job but all of them are organized to achieve a common goal.


Yes, hunting is present here but as a symbol of organized work of people with different functions and skills.

I need to remind you of the three indications of any civilization:

  • taming nature and its forces;
  • specialization and division of skills and labour;
  • organized acitivities of people with different skills and functions in order to complete a common goal.

All three indications are easily recognized in this scene which now seems to be a civilizational scene rather then a hunting scene.

If this is true, magi (enlightened and educated people) from Magura library of knowledge must have spread knowledge in order to create civilizations. And if they really did so, it must be possible to find some traces.

magura name map

Now you see a map of the spread of Magura name across the world. More than 2 000 Maguras can be found worldwide. At 200 places the name is written Magura and at the rest ot the places – Mapura, Magora, Mahura, Masura etc. These are very close derivatives.

I have calculated the probability to create this name by chance using tbe Bulgarian alphabet which consists of 6 vowels and 24 consonants. The probability is 1/93000000 which is too little. Thus I know that if I see the name at two distant places, there is a link between the two names.

Links are present indeed. The name Magura is always related to hills, springs and other water bodies and caves. The only places where the three features are present together is Magura cave itself – it is a cave, it is located inside a hill and a nearby lake is filled with water through the galleries beneath Magura cave.

Read this article for more information on the topic.

As many evidences show that Magura cave served as a starting point for educating people and creating civilizations, another question rizes: what was brought from Magura to people to be educated?

I proudly present to you some comparissons I have done:


Remember that all ancient civilizations appeared fully developed and brilliant and they only mouldered over time. The initial civilization force applied to them was much greater than the potential for sustenance and development of people.

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